Installation

  • Installation art refers to three-dimensional works designed to transform the perception of a space. Rather than viewing a painting or sculpture as a standalone object, installations often engage the viewer in the surrounding environment.

  • This form of art can use a broad variety of materials, including but not limited to lights, sound, video projections, natural elements and everyday objects. It aims to create a distinct atmosphere or experience.

  • The artwork is site-specific and tied to the place it was installed, considering factors such as space, light, and size.

  • Key figures in the development of installation art include Marcel Duchamp, who introduced the concept of ready-mades (everyday objects presented as art), and the Fluxus group in the 1960s and 70s, who aimed to break down the boundaries between life and art.

  • The viewer’s interaction with or experience of the work is significant in installation art. The environment created by the installation can provoke varied emotional responses or thoughts from individuals.

  • Critical analysis of installation art involves considering factors like spatial relationships, viewer interaction, temporary or perpetual nature of the work, materials used, and the overall concept or message.

  • Keep in mind, the installation art is not typically created to last. A part of its appeal lies in its transient and ephemeral nature.

  • Environment and space are key fundamentals in installation art. Designing with the specific spatial qualities in mind is paramount.

  • Reflect on the purpose of installation art: it is not merely designed for visual appeal, but to evoke emotion, stimulate thought, or even to make a political or social statement.

  • Examining various installation artists and their works can provide inspiration and give valuable insight into different styles, techniques, and subject matters. For example, take a look at Yayoi Kusama’s immersive spaces, Christo and Jeanne-Claude’s monumental public installations, or Olafur Eliasson’s sensory environments.

  • It’s essential to consider ethical, environmental and safety factors when planning and creating an installation artwork. For instance, don’t use materials that may be harmful or have a negative environmental impact.