Meaning and Response

Meaning and Response

Concept of Denotation and Connotation

  • Understand that denotation refers to the literal meaning of an element or symbol in a film. For example, a red colour might simply denote the colour itself.
  • Learn that connotation then goes beyond the literal to suggest more abstract, associated meanings. For example, red might connotatively signify danger, anger, passion, or love.
  • Apply the concepts of denotation and connotation both individually and together to analyse meaning in film.

Audience’s Interpretation

  • Acknowledge that a viewer’s cultural, social, and personal contexts can influence their interpretation of a film.
  • Note that mainstream films often attempt to cater to a broad range of audience interpretations, creating multiple layers of potentially meaningful content.
  • Realise that a preferred reading proposes a main interpretation of a film and is the meaning intended by the filmmakers, while an oppositional reading contradicts the preferred reading.
  • Understand that mainstream films often promote a preferred reading while still leaving room for audience’s own interpretations.

Film Language

  • Grasp film language, which includes camera work, editing, sound, and mise-en-scène, as a critical tool filmmakers use to generate meaning.
  • Assess how film language can shape a spectator’s emotional and intellectual response to a film.
  • Observe how symbolic elements in a film are developed and juxtaposed to create meaning.

Ideology in Film

  • Understand that films are often embedded with certain ideologies. They may implicitly or explicitly promote certain values, beliefs, or perspectives.
  • Evaluate how mainstream films adopt, challenge, or question dominant ideologies in society.
  • On occasion, films subtly reinforce ideologies, making it the viewer’s task to decode these meanings.

Conclusion

  • Always remember that meaning in film is multi-layered and complex, involving the interaction of denotation, connotation, audience interpretation, film language, and ideology.
  • Encourage an understanding that meaning and response in mainstream film is constructed, shaped and interpreted.
  • Always actively engage and question what a film is trying to say, and how it is saying it. Analyse your personal response to the film as well as consider wider societal and cultural responses.