Manipulation of the Movement Components
Manipulation of the Movement Components
Understanding Movement Components
- Movement components are the basic elements of dance: Body, Action, Space, Time and Energy (commonly abbreviated as BASTE).
 - These components form the building blocks of choreography. Skillful manipulation of these elements enables a choreographer to create wide range of movements and emotions.
 
Manipulation of Body
- Choreographers manipulate the use of the body to explore different possibilities of human movement.
 - This can include whole body movements, isolation of body parts, or the ability to show different aspects of the body.
 - Shapes made by the body, body parts, or groups can also be manipulated and transformed in movement sequences.
 
Manipulation of Action
- Action refers to what the body is doing. Examples of action include locomotor movements like running or jumping, and non-locomotor movements like spinning or twisting.
 - By manipulating action, choreographers can create a wide range of movement possibilities and diverse physical dynamics.
 
Manipulation of Space
- Manipulation of space includes exploration of levels (high, medium, low), directions, pathways, personal and shared space.
 - It can also refer to the way the dancer or dancers interact with the dance space, such as moving towards or away from a point in the spatial design.
 
Manipulation of Time
- Manipulation of time can manifest in pacing and rhythm. It can refer to the speed or momentum of a movement, the duration of the movement sequence, or the rhythmical pattern applied to a movement.
 - The choreographer may manipulate these aspects to add a temporal quality or to delineate specific emotional connotations to a piece.
 
Manipulation of Energy
- Manipulating energy refers to the quality of movement. It focuses on how the movement is performed, including aspects such as weight, flow, and tension.
 - Examples can include swift movements to evoke a sense of urgency, or slow, heavy movements to create feeling of sadness or exhaustion.
 
A thorough understanding and purposeful application of these movement components forms the essence of effective choreography.