Structuring of Movement Material

Structuring of Movement Material

Choreographic Structure

Choreographic Structure refers to how dance material is organised in terms of sequential patterns and arrangement within a piece.

  • Binary Form (AB): This structure is composed of two distinct, self-contained sections that may or may not be repeated.

  • Ternary Form (ABA): This structure consists of three parts, with the third part often being a repeat or variation of the first element.

  • Rondo Form (ABACA): Rondo Form often has a recurring theme that alternates with different sections.

  • Narrative Structure: A structure that follows a linear path, unfolding much like a story with a clear beginning, middle and an end.

  • Episodic Structure: It is non-linear and disconnected scenes or episodes, connected by a theme or a concept. It relies heavily on transitions to ensure flow and coherence.

Choreographic Devices

Choreographic devices are methods used to manipulate movement to create variation, interest and complexity in a dance work.

  • Repetition: Repeating moves or sequences can establish a theme and contribute to continuity and unity in a dance.

  • Canon: Involves the same movements performed by different dancers at different times.

  • Retrograde: Performing a sequence of steps or phrase of choreography in reverse order.

  • Fragmentation: Breaking down a complex movement sequence into its constituent parts.

  • Augmentation: Increasing the length of movement by changing the tempo or adding additional steps.

  • Diminution: Reducing the length of a movement motif by omitting parts or compressing into a shorter time frame.

Development of Themes

The development of themes involves building upon a foundational idea or motif in a way that advances the narrative, emotional content or visual aesthetics of a choreographic work.

  • Variation: A subsequent deviation of an existing motif or theme.

  • Motif Development: Involving the use or metamorphosis of a certain movement phrase throughout a dance work.

  • Contrast: Contrasting elements can maintain viewer interest and serve to highlight specific motifs or themes within the choreography.

  • Improvisation: Often used in choreography to generate new ideas or variations on a theme.

In essence, choreographic structure, devices, and theme development are key components in creating a compelling piece. Understanding the usage and implementing these constructs effectively can dramatically shape the outcome and appeal of a dance choreography.