Use of Other Constituent Features
Use of Other Constituent Features
Understanding Other Constituent Features of Dance
- Besides fundamental movement components, there are Other Constituent Features (OCFs) which are equally important in the choreographic process.
Structural Devices
- Structural Devices refer to the form or arrangement of the choreography. Examples include narrative, binary, ternary, rondo, episodial, and theme and variation.
Relationship
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    Relationships in dance include performer to performer and performer to props/objects. 
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    Spatial relationships, like proximity and mirroring, illuminate emotional states and narrative. 
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    Relationships dictate the interaction, grouping, and cooperation among the performers. 
Motif and Motif Development
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    A motif is a recurring movement sequence, a gesture, a theme or a distinct movement pattern used in Dance composition. 
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    Motif Development involves varying and developing the initial motif to create an extensive piece. 
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    Techniques of motif development include repetition, retrograde, inversion, augmentation, diminution, fragmentation and embellishment. 
Phrasing
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    Phrasing in dance refers to the way movements are organized to create a sense of sentence or a coherent statement. 
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    Choreographers deliver phrasing in different ways, such as question and answer and call and response phrasing. 
Contrast
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    Contrast is a powerful choreographic tool used to highlight differences in movement, energy, space and time. 
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    Differences can be in force, speed, direction, level and size of the motion, contributing to the visual excitement and interest of the dance. 
Highlights
- Highlights refer to the focal points or climaxes in the dance piece, used to capture and maintain audience interest.
Climax
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    Climax often comes near the end of the dance, identified as the point of highest tension or the most significant moment. 
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    It may be a moment of highest energy, greatest complexity, or a point of resolution in the narrative. 
Performance Environments
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    Performance environments incorporate stage, site-specific, promenade, in-the-round and traverse. 
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    The choice of environment can deeply influence the overall interpretation and experience of the dance for both performer and spectator. 
Use of Accompaniment
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    Accompaniment can be music, sound or silence, utilised to complement, punctuate, contrast or set the mood and pace of the dance. 
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    Choreographers sometimes create their dances in silence and add the accompaniment later to avoid literal or predictable associations. 
A thoughtful and intentional approach to these Other Constituent Features can greatly amplify the expressivity and communicative power of choreography.