Use of Other Constituent Features

Use of Other Constituent Features

Understanding Other Constituent Features of Dance

  • Besides fundamental movement components, there are Other Constituent Features (OCFs) which are equally important in the choreographic process.

Structural Devices

  • Structural Devices refer to the form or arrangement of the choreography. Examples include narrative, binary, ternary, rondo, episodial, and theme and variation.

Relationship

  • Relationships in dance include performer to performer and performer to props/objects.

  • Spatial relationships, like proximity and mirroring, illuminate emotional states and narrative.

  • Relationships dictate the interaction, grouping, and cooperation among the performers.

Motif and Motif Development

  • A motif is a recurring movement sequence, a gesture, a theme or a distinct movement pattern used in Dance composition.

  • Motif Development involves varying and developing the initial motif to create an extensive piece.

  • Techniques of motif development include repetition, retrograde, inversion, augmentation, diminution, fragmentation and embellishment.

Phrasing

  • Phrasing in dance refers to the way movements are organized to create a sense of sentence or a coherent statement.

  • Choreographers deliver phrasing in different ways, such as question and answer and call and response phrasing.

Contrast

  • Contrast is a powerful choreographic tool used to highlight differences in movement, energy, space and time.

  • Differences can be in force, speed, direction, level and size of the motion, contributing to the visual excitement and interest of the dance.

Highlights

  • Highlights refer to the focal points or climaxes in the dance piece, used to capture and maintain audience interest.

Climax

  • Climax often comes near the end of the dance, identified as the point of highest tension or the most significant moment.

  • It may be a moment of highest energy, greatest complexity, or a point of resolution in the narrative.

Performance Environments

  • Performance environments incorporate stage, site-specific, promenade, in-the-round and traverse.

  • The choice of environment can deeply influence the overall interpretation and experience of the dance for both performer and spectator.

Use of Accompaniment

  • Accompaniment can be music, sound or silence, utilised to complement, punctuate, contrast or set the mood and pace of the dance.

  • Choreographers sometimes create their dances in silence and add the accompaniment later to avoid literal or predictable associations.

A thoughtful and intentional approach to these Other Constituent Features can greatly amplify the expressivity and communicative power of choreography.