Editing principles

Editing principles

Principles of Editing

Continuity Editing

  • Focuses on seamless storytelling which doesn’t draw attention to the techniques used.
  • Maintains spatial and temporal coherence within scenes.
  • Uses methods such as match on action, eyeline match, and shot/reverse shot.
  • Match on action: A continuity cut that shows the continuation of a character or object’s action from different angles.
  • Eyeline match: A cut establishing what a particular character is looking at.
  • Shot/reverse shot: Two or more shots edited together that alternate characters, typically in a conversation situation.

Montage Editing

  • Creates meaning and narrative through shot juxtaposition.
  • Represents passage of time and provides thematic/metaphoric meaning.
  • Uses fast cutting, jump cuts, and dissolves.
  • Fast cutting: Generally used to convey energy or chaos.
  • Jump cuts: Deliberately disturbs continuity to disorient or dislocate a viewer.
  • Dissolves: Overlapping moments that usually indicate passage of time or changes in location.

Parallel Editing

  • Involves the intercutting of two or more lines of action happening simultaneously.
  • Builds tension by engaging the viewer with multiple actions at once.
  • Helps to evoke a particular mood or emotional resonance.

Non-linear Editing

  • Challenges the viewer’s expectations by presenting narrative events out of chronological order.
  • Creates complex character studies or atypical storytelling techniques.
  • Achieves greater emotional impact and conceptual depth.

Role of Editing in Post-Production

  • Establishes the mood and pace of a sequence.
  • Develops and reveals character.
  • Guides the audience’s gaze and attention.
  • Constructs a meaningful narrative.
  • Offers unique perspectives and points of view.
  • Allows thematic explorations and enhances symbolic meanings.
  • Provides rhythmic and visual coherence.

Common Editing Techniques and Effects

  • Cutting on Action: An editing technique that creates a connection between two shots by ending the first shot in the middle of an action and starting the subsequent shot at approximately the same place in the matching action.
  • Cross Cutting: An editing technique that cuts back and forth between actions in different locations, often meant to make them appear as if they’re happening at the same moment.
  • L Cut: An edit in which the visual and audio shift at different times. This is often used to enhance the dramatic effect or reveal a surprise or twist.
  • Fade: Often used to signal the end or beginning of a story, a fade lightens a shot to white or darkens it to black.
  • Wipe: A transition between two shots, where one shot replaces another by travelling from one side of the frame to another or with a special shape.
  • Flashback: An editing technique used to relate events that happened in the past, adding context to the current action.
  • Slow Motion: Reducing the speed of the clip to elongate action and create an emotional effect.

Remember, effective editing is all about understanding the emotional, visual, and auditory elements of a scene, and how these can be manipulated to enhance storytelling.