Critiquing the impact of influential performance practices on contemporary practice

Understanding the Influence of Historic Performance Practices

Stanislavski’s ‘system’ was a pioneer in method acting, and his principles have enabled actors to draw on their personal experiences to create more authentic characters.
Brechtian theatre, with techniques such as alienation, breaking the fourth wall, and non-linear narratives, fundamentally challenged conventional theatre.
The physical theatre practices of practitioners like Jacques Lecoq and Pina Bausch, which focus on movement and body language, brought dance and theatre closer together.

Analysing the Influence of Notable Practitioners

Robert Wilson’s visual theatre has had a profound impact, especially in terms of the intricate use of lights and sets to create visually captivating performances.
Augusto Boal’s Theatre of the Oppressed serves as an example of participatory theatre, empowering audience members to become active participants, a practice that continues to be influential on contemporary interactive theatre.
Martha Graham’s modern dance techniques paved the way for contemporary dance, encouraging expressive movements beyond the boundaries of classical ballet.

Evaluating the Impact of Influential Practices On Contemporary Work

The use of multimedia in performance, inspired by pioneers like Laurie Anderson and Robert Wilson, has become commonplace in contemporary practice, adding depth and providing additional layers of meaning.
Forum theatre, a form of interactive theatre developed by Augusto Boal, has influenced current practices in community theatre, therapeutic drama, and corporate training sessions.
The legacy of Meisner’s repetition exercises is evident in contemporary actor training, which frequently incorporates methods focused on developing instincts and instantaneous responses.

Exploring Application of Influential Practices in Contemporary Context

Consider how Brechtian principles can be employed to challenge the audience’s perceptions and to encourage them to think critically about societal issues in a contemporary performance piece.
Reflect on how Martha Graham’s contractions and releases, floor work, and use of spirals could form the basis for a piece of contemporary dance.
Investigate how Boal’s techniques could be used to create immersive, participatory theatre that engages the audience on a deeper level, prompting them to consider their role in societal issues.