Developing ideas and concepts

Developing ideas and concepts

DEVELOPING IDEAS

  • The development of ideas starts with brainstorming - allowing yourself to think freely and creatively without restrictions.
  • Subject matter, medium, style and techniques all play a crucial role in forming your ideas.
  • Building layers of meaning and connections through mind-mapping can lead to innovative ideas.
  • Experimenting and exploring various techniques, styles and approaches can push idea development further. Don’t be afraid of trying new things.
  • Consideration of the audience’s view helps mould ideas into a form that can be appreciated or understood by others.

CONCEPTUALISING

  • Moving from an abstract idea to a tangible concept includes both considering the practicality of your idea and fleshing it out into something more specific.
  • Concept sketches can visually illustrate an idea and its potential transformations.
  • Creating mood boards can assist in representing the feel or atmosphere of the concept.
  • A concept becomes stronger when developed with a solid narrative or backstory. The narrative connects art to human sensibilities.

TRANSFORMATION OF IDEAS

  • Ideas often change and evolve as they face questions and scrutiny.
  • Always be open to constructive criticism. It can bring about refinement and maturity in ideas.
  • Understand that there might be need to revisit and revise your original plan. Be open to direction changes and rapid iterations.
  • Allow the possibility of dramatic changes and possibly even shelving the idea if it doesn’t seem feasible at a certain stage. Adopting new ideas can bring freshness and variety in results.

BUILDING A PERSONAL AESTHETIC

  • A unique style and form often comes from understanding your own artistic preferences and distilling them into a clear direction.
  • Developing a consistent visual language of recurring themes, colors, motifs can lead to a distinctive personal aesthetic.
  • Personal artist’s statement is a concrete step in defining your personal aesthetic.
  • Personal aesthetic should be a continuous ongoing process, evolving with growth in skill and experience. It’s a journey and not a destination. With varying experiences, influences and inspirations, this aesthetic iteratively develops and refines over time.

REFINING

  • Critiques and feedback are vital in refining ideas. They help identify strengths and weaknesses and areas that need further development.
  • Self-reflection is a strong tool. Regularly step back and review your work from a distance and a fresh perspective.
  • Implement improvements in a structured and measured way to see how changes affect the overall outcome.
  • Periodical revisions and iterations of sketches and concepts can refine and polish the final result.

CONTEXTUAL INFLUENCES

  • Ideas do not exist in a vacuum and are often shaped and influenced by a range of external factors.
  • Study of artist’s work, both contemporary and historical, can provide insights into different themes, styles and techniques that can affect your approach.
  • Cultural, social, political and environmental contexts contribute to the form and content of art and design.
  • Active engagement with art communities and collective influences can provide fresh perspectives and inspiration for new ideas and concepts.