The Good Morrow: Structure & Language Techniques

The Good Morrow: Structure & Language Techniques

Rhyme and Meter

  • “The Good Morrow” utilises a rhyme scheme of ABABCDCD in each of its three stanzas, showcasing Donne’s mastery of structured poetic forms.
  • The poem is written in iambic pentameter, establishing a rhythmic pattern and formal structure that guides the reader through Donne’s exploration of love’s depth and power.

Imagery and Metaphor

  • Donne employs metaphysical conceits, a characteristic element of his work, to draw inventive and striking comparisons between spiritual love and worldly experiences.
  • The “two better hemispheres” is a notable example of a metaphysical conceit, where the concept of a perfect globe embodies the completeness of the lovers’ union.
  • Donne also uses sensory and spatial imagery, as seen in “my face in thine eye”, creating a vivid image of closeness and mutual reflection.

Language and Wordplay

  • The poet’s use of hyperbolic language, such as “Whatever dies, was not mixed equally”, underscores the immortality and uniqueness of the love he describes.
  • Donne also uses paradoxical language, like “If our two loves be one”, to explore the contradictory nature of two becoming one in love, a typical theme in metaphysical poetry.

Structure and Progression

  • Donne’s thematic progression is structured with each stanza representing a different stage of love: awakening, exploration, and fulfilment.
  • The volta in the final stanza, a common element of sonnet form, reveals the poem’s central conceit and the depth of the lovers’ bond, illustrating Donne’s ingenious poetic craft.