Around the World in 80 Days: form

Around the World in 80 Days: form

General Information About the Play

  • “Around the World in 80 Days” is a play adaptation of the novel written by Jules Verne. The narrative form is told through a linear sequence of events with distinct acts and scenes.
  • The story also utilises diverse theatrical techniques, such as mime, puppeteering, and acrobatics, enhancing the dramatic form of this play.

Genre and Themes

  • In its dramatic form, the play encompasses various genres, blending adventure, comedy and dramatic tension.
  • In the form of “Around the World in 80 Days,” theme is explored through melodrama, satire, and epic adventure. It’s a reflexion of the Victorian era and its socio-cultural implications. The themes of imperialism, industrial revolution, cultural diversity, and the concept of time are explored throughout the play.

Comedy and Drama

  • Comedy is an integral part of the play’s form. It is used to lessen the tension in some of the more dramatic scenes and to entertain the audience. The comedy often arises from physical humour, situational comedy, and witty dialogue.

Physical Theatre & Stage Design

  • The form also includes elements of physical theatre, where performance goes beyond dialogue and includes physical dynamics to express emotions, ideas, relationships, and to keep the audience engaged throughout.
  • The stage design and arrangement play a crucial role in the form of this play. The use of creative environments and props enriches the storytelling by implying different locations around the world.

Character & Narration

  • The narrative form relies heavily on the central characters’ quest, their development and interaction with various secondary characters during their journey around the world.
  • The form of the play employs both narration and direct audience address which helps to connect with the audience more directly and keep them engaged in the story. Also, it allows shifting locations, time periods, and perspectives.
  • There is a significant use of ensemble acting where most characters play multiple roles throughout the play. This challenges the performers and invites a unique dramatic form.