Noughts and Crosses: theatrical conventions of the period

Context and Themes

“Noughts and Crosses” is based on a novel by Malorie Blackman. The story takes place in an alternate society where racial roles are reversed, with dark-skinned people (Crosses) dominating over light-skinned people (Noughts).
This is a character-driven story mainly focusing on the relationship between Callum (a Nought) and Sephy (a Cross). The exploration of their conflicting identities and difficulties gives rise to dramatic tension.
The play frequently employs symbolism to underscore its themes of racial tension, social injustice, and inequality. For instance, the use of a border or barrier on stage could represent the societal divide between Noughts and Crosses.
Lastly, the play’s language is modern and colloquial, amplifying its resonance with a contemporary audience and highlighting the enduring relevance of its themes.

The play adopts a contemporary style, sharing characteristics with modern realism and political theatre.
The stage for “Noughts and Crosses” is often minimal and symbolic rather than realistic. This helps to underscore the focus on character and narrative rather than detailed settings.
Many productions of the play leverage multimedia elements, including recorded video clips and projected images. This modern approach refers back to its source material as a contemporary young adult novel.
Ensemble acting is a significant feature within the play, with minor characters often representing broader societal attitudes and forces.
Monologues and soliloquies are utilized to shed light on characters’ internal thoughts and emotions, helping the audience to engage on a deeper level with the protagonists.

Light and sound components play a major role in setting mood, tone, and location in the play. These factors also highlight key moments in the plot and reveal aspects of characters’ internal struggles.