Around the World in 80 Days: performance conventions

Around the World in 80 Days: performance conventions

Use of Physical Theatre in ‘Around the World in 80 Days’

  • ‘Around the World in 80 Days’ is a vast and imaginative story that lends itself well to imaginative use of physical theatre, which can prove instrumental in portraying the numerous settings and modes of transport used.
  • Often, forms such as mime, dance, acrobatics, and symbolic gestures are utilised to express these elements of the story.

Role of Props and Multi-Role Playing

  • Props are equally important but often minimal, mainly used symbolically more than realistically. For example, scarves may be used to represent various elements such as rivers, snakes, or even a whip.
  • Multi-role playing is a common theme, given the wide range of characters in the story, demanding versatility and adaptability from the actors.

Inclusion of Pantomime Elements and Time Exploration

  • Pantomime elements are occasionally introduced for more comedic or exaggerated aspects of the plot, involving heavy audience interaction and engagement.
  • Exploration of time is critical with fast paced action often slowing down for more dramatic moments.

Levering Literary Techniques for Engagement

  • Dramatic irony, present in the novel, can be creatively leveraged to allow the spectators to engage more tautly with the narrative.
  • Brechtian techniques, such as direct addresses to the audience, can break the fourth wall and assist in creating a more immersive environment.

Integration of Original Texts and Techniques

  • The use of original texts and narration maintains the literary essence, while the physical embodiment of roles gels it with the innovative theatricality.

Importance of Design Elements

  • The light and sound designs often collaborate to construct a sense of different time zones and distinct locales, making transitions smoother.

Maintaining Adventure and Thrill

  • A sense of adventure and thrill should be maintained throughout the performance through the pace, tone, and physicality.

Remember, these conventions can be adapted and interpreted in multiple ways, allowing for creative and innovative performances each time ‘Around the World in 80 Days’ is staged.