Patterns of ownership and control

Overview of Patterns of Ownership and Control

  • Patterns of ownership and control relate to who owns and controls media corporations and consequently, content production, distribution, and exhibition.
  • High concentration of control often lies with a small number of large corporations which can influence the way films are made and distributed.
  • The media landscape in Wales and Hollywood is shaped by powerful production companies and broadcasting organisations.

Analysis of Patterns of Ownership and Control

  • There is a significant emphasis on corporate conglomerates in Hollywood, such as Disney, Warner Bros., and 20th Century Fox. These corporations have diversified holdings across different media types.
  • They have ownership of film studios, television networks, theme parks, and merchandise, thereby reinforcing their control and reach.
  • Control patterns often reveal vertical integration wherein corporations control all stages of production, distribution, and exhibition.
  • In comparison, Wales has a mix of public service broadcasters like BBC Cymru Wales, commercial broadcasters, and independent production companies.

Implications of Ownership and Control

  • Ownership and control dictate many aspects such as budget allocation, creative decisions, and wider business strategies.
  • It also influences the representation of Wales in media, cultural diversity, and the range of voices available in the media landscape.
  • Conglomerates follow the profit maximisation strategy, and there’s a tendency to produce mainstream, high-concept films because of their broad appeal and sure-shot profitability.
  • Local, regional broadcasters and production companies in Wales provide a platform for Welsh language content, reflecting on identity and cultural nuances.

Case Study: S4C

  • S4C, a Welsh television channel, is a key example of public sector broadcasting in Wales. It is funded by the UK Department for Digital, Culture, Media and Sport and the BBC.
  • It plays a crucial role in providing a platform for Welsh language content, ensuring the representation of Welsh culture and identity in media.
  • The channel exhibits a different pattern of control than Hollywood conglomerates, focusing more on public service than profit.

Conclusion

  • Understanding the patterns of ownership and control provides insights into the influence, motives, and strategies of media corporations.
  • There is a stark contrast in the ownership patterns between Hollywood and Wales, reflecting the commercial orientations versus public service motives respectively.
  • These patterns also significantly impact the content diversity, representation, and the media landscape at large.