Regulatory Framework of film in the UK
Regulatory Framework of film in the UK
Overview of the Regulatory Framework
- In the UK, the regulatory framework for film covers aspects such as age ratings, content guidelines, and broadcast standards.
- The primary institution involved is the British Board of Film Classification (BBFC). Its role is assigning age ratings and content warnings based on a film’s themes, language, violence, sex, discrimination, drug use, and horror.
BBFC Classification
- The BBFC classifies films into categories: U, PG, 12, 12A, 15, and 18. Each category indicates the age from which it’s appropriate to view the film.
- If a film does not adhere to the guidelines, it may be refused a certificate, restricting its distribution.
Other Regulatory Bodies
- Ofcom regulates communications services, including broadcasting. It sets out standards that broadcast services must follow.
- The Advertising Standards Authority (ASA) holds authority over advertising across all media, enforcing advertising codes.
Regulation of Online Media
- The regulation of online media has increasing importance with the rise of digital platforms like Netflix, Amazon Prime, and YouTube.
- The BBFC also classifies these platforms, although adherence is technically voluntary.
- Some platforms, such as Netflix, have opted to use their own ratings system, alongside BBFC ratings for specific content.
Self-regulation by Film Producers
- Self-regulation has become common in the industry. Film producers often employ script editors and advisors to ensure films don’t breach guidelines.
- There’s a commercial incentive for self-regulation, as the distribution and potential success of a film can seriously be affected by its classification.
Conclusion
- The regulatory framework of film in the UK involves a combination of institutional regulation, self-regulation, and private platform regulation.
- The classification of films impacts their distribution, marketing, and overall success, making it a crucial aspect of the film industry. It also impinges on the creative process, directly influencing film content.