Choreography: Communication of Choreographic Intent

Choreographic intent is the central message or theme communicated through a dance. It could range from exploring emotions, commenting on societal issues, retelling a narrative, or simply presenting a series of movements for aesthetic appreciation.
Expressing choreographic intent involves the conscious selection and arrangement of movement materials toward conveying the intended theme or message.
Accomplishing this entails the effective use of dance components such as movement content, dynamics, rhythmic structure, spatial elements, and the overall structure of the dance piece.
Movement content refers to the actual steps and gestures used. These choices should be influenced by the choreographic intent. For example, sharp, staccato movements might suggest conflict or tension, while flowing, lyrical movements could symbolise peace or harmony.
Dynamics include the energy, timing, and quality of movement. These can powerfully convey emotion or enhance the narrative. For instance, in a dance about resilience, the dancer might use strong, forceful dynamics.
Rhythm and timing, embedded within the music or silence, can underscore the intent. Quick, erratic rhythms can create feelings of urgency or chaos, while slow, steady rhythms might evoke calmness or resolution.
Spatial elements (such as direction, level, and formation) can visually communicate the choreographic intent. For instance, dancers facing different directions might indicate conflict, while a group moving in unison can express unity or conformity.
The overall structure of the dance has a profound impact on depicting the intent. It parallels the way a written story unfolds - with a beginning, development, climax, and conclusion. The way these sections are ordered can create suspense, surprise, or clarity, thus advancing the intended message.
Choreographers often use differing choreographic devices such as contrast, repetition, retrograde, and canon, to aid the communication of their intent to the audience. Effective use of these devices can add depth and interest to the dance.
Props, costumes, lighting and sound can also be utilised to reinforce the choreographic intent.
Evaluating the success of a dance in communicating choreographic intent requires self-reflection and feedback. Key questions may include: Have different dance components been effectively utilised? Was the intent clear to the audience? Was the audience engaged and affected by the dance? This reflective practice can inspire improvements and facilitate growth in the art of choreography.

Remember, choreographic intent is not always literal. It often deals with abstract ideas or themes, and individual interpretation is encouraged. Enjoy the creative process and let your unique voice shine through your choreography.