Emancipation of Expressionism: Structuring Devices

Emancipation of Expressionism: Structuring Devices

  • The choreography utilises motif development, where certain movements or phrases are repeated with slight modifications to enhance coherence and narrative progression.
  • Binary form is present in the piece with two clear, contrasting sections depicting different emotional states and dance styles.
  • Repetition is used effectively to reinforce key themes and motifs.
  • The utilisation of unison and canon also contributes to the overall structure of the dance, illustrating both unity and individuality among the dancers.
  • Contrast is another key structuring device used in the piece - between fast and slow movements, intense and gentle dynamics, and different group formations.
  • Climax occurs when all dancers perform the same movements at the same time, generating a surge of energy and intensity.

Emancipation of Expressionism: Movement Content


  • The piece includes a variety of actions such as jumps, turns, falls, and gestures that are distinct to hip-hop dance style.
  • Movements are often percussive and angular, reflecting the rhythmic nature of the music.


  • Dancers perform with sharp, sudden dynamics to create a sense of surprise.
  • Fluid movements are also present, marking a contrast and providing variety to the overall piece.


  • Dancers utilise the full stage space, moving between different levels and directions.
  • Formation changes are used frequently to maintain visual interest.


  • Relationships between dancers are shown through mirroring, following, leading, and independent movement.
  • The use of physical contact, visual focus and spatial distance also helps to demonstrate relationships among the performers and their environment.

Emancipation of Expressionism: Choreographer’s Approach

  • Kenrick “H2O” Sandy makes use of abstract symbolism throughout his choreography.
  • Sandy effectively explores and communicates the concept of expressionism through dance, aiming to depict the emotional experience of the dancers.
  • The choreographer has a focus on physical skill and stamina, with the routines requiring high energy and precise execution.
  • As an experienced hip-hop dancer and choreographer, Sandy draws on a variety of hip-hop styles, combining them in innovative ways to create a unique piece.

Emancipation of Expressionism: Performance Environment

  • The performance is designed for a proscenium arch theatre setting.
  • Despite being designed for this traditional stage setup, the piece also demonstrates abilities to perform in end stage, in-the-round, and site sensitive environments.
  • This versatility of the piece derives from its strong emphasis on movement and less dependency on specific stage settings or props.

Emancipation of Expressionism: Dance for Camera

  • The dance work is exceptionally suitable for filming, as the camera can capture the high-energy movements, intricate formations and facial expressions of the dancers in great detail.
  • Precision, synchronisation and spatial patterns can be highlighted by different camera angles and shots.
  • The confined space of the camera frame intensifies the viewer’s focus on the movements.