Choreography: Spatial Content

Choreography: Spatial Content

  • Spatial content in choreography refers to how the movement of dancers is organised in the dancing area. This includes considerations such as formations, directions, levels and pathways.

  • Formations are the patterns made by dancers’ positions in relation to each other. They can be symmetrical (the same on both sides) or asymmetrical (different on each side). Examples include lines, circles, groups or individual positions.

  • Levels refer to the height of the dancers in relation to the floor. Dancers can perform at high, medium or low levels.

  • Directions are the way in which dancers face or move. They may move forwards, backwards, to the side, upwards or downwards. The front, back or sides of stage space can be explored.

  • Pathways are the lines or patterns traced in space by the dancers as they move. They can be straight, curved, zigzag, circular, diagonal, etc.

  • Proximity to other dancers can also influence the spatial content i.e. dancers can be spaced closely together, far apart, or in a mix thereof.

  • Choreographers can use spatial content to create visual interest, convey a theme or emotion, or make a statement. For example, spacing dancers far apart may suggest isolation, while a tight formation might indicate unity or cooperation.

  • Understanding spatial content can strengthen a piece of choreography. It can not only help with creating visually interesting patterns, but also with timing, dancers’ relationship to each other, and presenting the piece’s theme effectively.

  • Even the use of props, set, and lighting greatly impacts the spatial content as they either occupy or highlight space. Thus choreographers must plan using these elements along with planning the dancers’ movements.

  • Choreographers must remember to use all the available space effectively, including exploring different levels and directions, and experimenting with formations and proximity.

  • In group pieces, the spatial design can help distinguish between solo, duo, and ensemble moments, assist in highlighting significant moments and aid in advancing the narrative or abstract idea.

  • Knowledge of spatial content is also very important for dancers. It allows them to know where and when they should move, and also assists them in maintaining their spacing and alignment during performances.

Remember that spatial content should never be random but always purposeful, either in service of the choreographic intention or in connection to the music. Achieving a balance between organised spatial structure and the organic flow of ideas can add depth and visual impact to the choreography.

Consider spatial content as one of your expressive tools to communicate your ideas, atmosphere, and dramatic effects. Even small alterations can have a significant effect on the audience reaction. So, use this tool wisely with control, creativity, and thoughtful reasoning.