Set Work: Rooster (Christopher Bruce, 1991)

Rooster, created by Christopher Bruce in 1991, is inspired by songs from the Rolling Stones. This displays a clear link between the music and movement, and performers embody the physicality and energy of rock-n-roll.
The choreographic intent behind Rooster includes exploring the themes of male identity and bravado as well as the social context of the 1960s.
Bruce uses choreographic devices such as motif-development, repetitions, contrasts, highlights and climax to structure the dance, retain the audience’s interest and emphasise his themes.
Eight dancers (6 male, 2 female) interpret 8 Stones tunes. Each song represents a different character or mood, all rooted in the sense and spirit of the 1960s.
The sets and lights, designed by Marian Bruce, comprise of minimal units which are rearranged mid-performance to suggest different locations and times.
Notably, the dance is heavily influenced by Bruce’s background in ballet, though it also incorporates contemporary and social dance elements, reflecting the hybrid, innovative nature of the Choreographer’s movement style.
The dance employs an eclectic mix of costume pieces, designed by Marian Bruce as well which are all drawn from 1960s fashion trends, in keeping with the work’s period setting and themes. Males predominantly wear colourful velvet suits while the women wear cocktail dresses.
There is a high level of physical demand on the dancers due to the large number of lifts, jumps and floor work. Stamina, strength, and flexibility are all essential to perform this dance.
Symbolism plays a vital role in Rooster. The red scarf, for instance, typically worn by the ‘cocky’ male dancer is a potent symbol of masculinity and dominance.
The finale is a poignant commentary on the fleeting nature of youth and the inevitability of time passing. The dancers are left alone, suggesting the end of an era.

Use these details to build a comprehensive understanding of Rooster and explore the many interpretive possibilities it presents for analysis. Make sure to consider the aspects of performance, choreography and analytical observation to effectively engage with the piece.