Within Her Eyes: Choreographer's approach
Within Her Eyes: Choreographer’s approach
Choreographical Intent
- James Cousins’ creative approach was primarily a narrative one focusing on telling a story about dependent relationship.
- He aimed to communicate the difficulty of trying to support someone who can’t move forward in life, symbolizing the emotional weight.
Interpretation and Delivery
- The dancers are supposed to embody the characters and communicate the deep layers of emotions and personal relationships.
- Much of the meaning is conveyed through facial expressions, body language and proxemics. This can inform the student’s own approach to interpreting and communicating a narrative through movement.
Movement and Content
- Cousins employs a fusion of Contemporary and Release techniques with some traces of Contact Improvisation.
- Elements such as contact work, weight-bearing and floor-work are dominant.
- There is a rhythmic connection between the dancers which forms a visual line or thread that sustains the emotive power of the dance.
Use of Space and Choreographic Devices
- Cousins used various choreographic devices such as unison, canon, motif, repetition and inversion.
- He uses the space innovatively by incorporating lifts and balances that challenge gravitational laws. The use of levels and directions is quite dynamic.
- The physical setting plays an integral role in creating the overall mood and atmosphere of the dance piece.
Experimentation and Innovation
- Cousins’ approach was experimental as he pushed the boundaries of contemporary dance.
- He used the dancers’ bodies to create unique shapes and movements that continually evolve throughout the dance piece.
- The gravity-defying lifts and balances are considered as Cousins’ signature style which students can analyze and draw inspiration from.
Remember, understanding a choreographer’s approach is crucial to appreciating their work. Always consider the intent behind the choreography, the delivery of the dancers, and the methods used to create the piece.