Artificial Things: Performance environment (proscenium arch, end stage, in-the-round, site sensitive)

Artificial Things: Performance environment (proscenium arch, end stage, in-the-round, site sensitive)

Proscenium Arch

• In Artificial Things, the proscenium arch stage allows the audience to view the dance as a ‘picture’. All audience members have a similar view of the dance.
• The choreography reflects this use of space and the mostly front-facing positioning emphasises the inclusivity and unity messages in the piece.

End Stage

• An end stage setting implies only one side of the stage is visible to the audience, which can create a sense of intimacy.
• In Artificial Things, leveraging this form of setting can make certain themes more profound.

In-The-Round

• Despite not being prominently used in Artificial Things, knowing how in-the-round stage setting could impact interpretation is important.
• Dances performed in-the-round usually have no clear front, which can alter the spatial and dynamic aspects.

Site Sensitive

• Site sensitive performances are influenced by the particularities of the location in which they are staged.
• While Artificial Things is not site-sensitive, awareness of how location could affect the themes and movements is useful for critical understanding.