Physical Setting

  • The physical setting of a dance refers to all the tangible and visible elements that make up the dance environment. This includes the stage, props, costumes, and lighting.
  • The stage is essentially the dancer’s canvas. Its shape, size and orientation can influence the choreography and performance. For example, a circular stage may encourage more fluid, continuous movements, while a proscenium stage may require more frontal positioning and movements.
  • The use of props in a dance can affect the dynamics and feel of the performance. Props can be anything from a chair, to a hat, to a handkerchief, and they can be used for various purposes such as to symbolise a theme, to enhance the story, or to create interest and variety in the movement.
  • Costumes play a significant role in conveying the characterisation, theme, or mood of the dance. They can provide visual clues about the time period, culture, or social status of the characters. The style, colour, and fabric of the costumes can also influence the dancer’s mobility and the overall visual aesthetic.
  • Lighting can dramatically alter the mood and focus of a dance. It can highlight or obscure certain aspects, guide the viewer’s attention, or create special effects. The intensity, colour, and direction of the lighting all contribute to the overall impact.
  • Important to remember is how these different elements of physical setting interact with each other and how they function within the choreographic intent. Changes in the physical setting can produce changes in how the dance is interpreted.
  • Learning to analyse and critique the physical setting is an essential skill for appreciating the many layers of dance performance. An understanding of the decisions made by the choreographer regarding the physical setting can greatly enhance your understanding and enjoyment of a dance piece.
  • Your personal response to the physical setting, how it made you feel or the ideas it provoked, can provide valuable insights when writing evaluations or critiques of dance performances.