Artificial Things: audience understanding

Artificial Things: Performance Environment

Proscenium Arch:

Utilised in the traditional theatre setting
Allows the audience to view the dance from one side only
Dancers are often more distant from the audience

End Stage:

Audience located on one side, but close proximity to performers
Creates a more intimate and immediate experience
Greater visibility of dancer’s body language and expressions

In-the-round:

Audience circled around the performance area
Enhances the spatial awareness of the dancers
Provides multi-dimensional viewing for the audience

Site Sensitive:

Locations specifically chosen to convey meaning/mood
Performers interact with the surroundings
Can influence the choreography and movement choices

Artificial Things: Choreographer’s Approach

Visualisation:

Using the body to create images or portray characters
Use of props and objects for visual impact

Narrative:

Performance tells a story or concept
Requires dancers to interpret the narrative and portray it through movement

Improvisation:

Spontaneity and freedom of movement
Encourages original and creative choreography

Emotion and Expression:

Dancers express emotions through movement
Aim is to evoke emotions in the audience

Artificial Things: Movement content

Actions:

Fundamental movements (jump, turn, travel etc.)
Vary in complexity and levels

Dynamics:

Manipulation of energy during performance
Influences pace, rhythm and flow

Space:

Use of stage space and dancers’ formation
Conveys relations between dancers and intent

Relationships:

Interaction between dancers (lead-follow, mirroring, contrast)
Shows social dynamics, conflict, or harmony

For optimal revision purposes, focus on understanding, not just remembering the information. Expand upon each point by asking yourself how and why these elements are utilized in “Artificial Things.” Don’t forget to relate them to performance you’ve watched to deepen your understanding.