I felt a Funeral, in my Brain: Poet & Context

I felt a Funeral, in my Brain: Poet & Context

Emily Dickinson: “I felt a Funeral, in my Brain” - Poet & Context

  • Emily Dickinson, one of America’s greatest poets, lived from 1830 to 1886 in Amherst, Massachusetts, a small farming village.
  • Despite living during the era of American Romanticism, Dickinson wasn’t discovered until after her death. Her work therefore did not conform to the typical Romantic ideals.
  • Dickinson lived much of her life in reclusive isolation. Considering the psychological depth of her poetry, some believe this seclusion gave her works a unique perspective on the human condition.
  • Dickinson’s poems, including “I felt a Funeral, in my Brain”, often explore themes related to death and immortality. Many consider this to be influenced by her upbringing in a puritan New England community.
  • Unlike many poets of her time, Dickinson didn’t title her poems. Thus, the first line of each poem is commonly used as their title for identification purposes.
  • Her unique poetic style is marked by unconventional punctuation, predominantly em dashes and exclamation points, which contribute to the overall rhythm and tone of her poems.
  • “I felt a Funeral, in my Brain” is believed to be written during Dickinson’s ‘crisis’ years (c. 1861 - 1865), a period of great creativity but also severe personal stress and trauma, when her fear of death was most pronounced.

Key Concepts

  • ‘Crisis’ years: This marked a period where Dickinson suffered personal loss and declining health, which greatly influenced the content and themes of her poetry.
  • Punctuation Use: Dickinson’s unique use of punctuation like em dashes and exclamation points is a key feature of her poetry, used to create dramatic effect and influence rhythm.
  • Death and Immortality: Recurring themes in her work, likely influenced by her upbringing in a religious community and personal experiences.
  • Reclusive Isolation: Dickinson’s isolated lifestyle had a significant impact on her perspective, and this is often reflected in the psychological depth of her poems.