Jerusalem: development of pace and rhythm

Development of Pace and Rhythm in Jerusalem

Rhythmic variation: The rhythm in Jerusalem showcases a mix of passages that burst with energy, combined with more tranquil scenes. This contrast creates a dynamic tempo that reflects the character’s journey throughout the story.
Pace reflective of character mood: Notice how the pace of the narrative often parallels the emotional states of the characters. Tensions elevate during moments of crisis, lending to quick, sharp dialogues; during moments of introspection or nostalgia, the pace slows and dialogue becomes more reflective.
Impact of local dialect: The use of Wiltshire dialect plays a critical role in defining the pace and rhythm. The dialect not only gives a vivid sense of place and regional character but it also sets a unique rhythm that is intrinsic to this play.

Monologue as rhythm-changer: Particularly noteworthy are Johnny ‘Rooster’ Byron’s monologues that modulate the rhythm of the dialogue. These monologues are often filled with a rhythm and energy that sets them apart from the wider play, marking significant shifts in the plot.
Use of Verse and Prose: The alternating use of verse and prose throughout Jerusalem significantly impacts the pace of the text. Verse often slows the rhythm and includes heavier thematic depth, while prose speeds up the dialogue and often includes lighter or more humorous elements.

Real versus play time: The juxtaposition of playtime (over three consecutive days) and real-time (spanning just a few hours) increases tension and pace throughout the play.
Festive setting - St. George’s Day: The temporal setting on St. George’s day and the anticipation of the fair add an undulating rhythmic layer to the narrative, marking gradual escalation and eventual chill-down of dramatic tension.
Night and day rhythm: Observe the daily rhythm embedded into the play’s structure. The transition from day to night and back again plays a crucial role in the evolving pace of the plot.