Jerusalem: theatrical conventions of the period

Jerusalem: theatrical conventions of the period

Theatrical Conventions of the Period

Realism

  • Although Jerusalem is often classified as a contemporary morality play, it borrows heavily from the conventions of realism.
  • The depiction of characters is multi-dimensional, flawed and authentic, in keeping with the tenets of realism.
  • The dialogue used by the characters is vernacular and representative of their social class and background, a key feature of realistic theatre.

Naturalism

  • Despite its mythical and folkloric elements, Jerusalem relies strongly on naturalistic elements.
  • The detailed and atmospheric depiction of the rural English setting and way of life enhances the play’s naturalistic qualities.
  • The social and personal struggles of the characters, their complex interactions, and socio-political dynamics illustrate an engagement with naturalistic themes.

Use of Language

  • The play uses vernacular language including local dialects, slang expressions, and profanity to enhance a sense of realism and cultural authenticity.
  • Rooster’s monologues are quite lyrical and inspired by folk and mythic tradition, making them integral to the dramatic experience.

Stagecraft

  • The play uses the single-set convention, with the entirety of the play happening around and within Johnny ‘Rooster’ Byron’s caravan.
  • Props used in the play have symbolic value beyond their physical function, lending depth and interplay between realism and symbolism.
  • The progression of the play adheres to the linear progression of time, another convention of the period’s theatrical practice.

Structure and Rhythm

  • The play has a triptych structure consisting of three acts, akin to classic drama.
  • Patterning of time (a day in three acts), motifs (the drumming, the crowing of the rooster) and cyclic events (annual fair, daybreak) tie in with the rhythms of nature and rural life.

Performance and Spectacle

  • The representation of regional accents, behaviors, and customs in performance, contribute to the cultural authenticity of the play.
  • Use of incidental music, lights, soundscape and the overall mise-en-scene creates a theatrical experience that goes beyond the verbal narrative.