The God of Small Things: Language

I. Stylistic Choices of Language

Metaphorical Language: Roy extensively uses metaphors to illustrate key themes in the novel. This stylistic tool is used to express deeper meanings and to underline the tension between the characters.
Non-linear Narrative: The narrative does not follow a conventional timeline, it jumps back and forth between different timelines and perspectives. This technique is used to gradually reveal important insights into the characters and their motivations.
Subversion of English Language: Much of the creativity in Roy’s writing lies in her playful subversion of the English language, often coining new words and phrases. This enriches the book’s texture and adds an element of the exotic.

Multitude of Voices: The narrative voice oscillates between multiple perspectives ranging from the twins, to Ammu, to third-person. This shifting perspective provides a multi-dimensional view of events and characters.
Childlike Language: Roy uses a child’s perspective (Rahel’s and Estha’s) to portray the complexities and literal smallness of their world. The language often mimics the innocence and simplicity of a child’s voice, rendering a complex understanding of the world.
Unsettling Tone: The story often conveys an unnerving tone, foreshadowing the horrors to come while also continuously reminding the reader of the uncomfortable and tragic realities of childhood.

Language to Highlight Caste Discrimination: Various uses of derogatory terms for the untouchables underscore the depth of the caste discrimination in Indian society.
Use of Malayalam: Roy interjects her English narrative with Malayalam words and phrases. This brings out the cultural setting and conveys the theme of hybridity, or a mixed social or cultural identity.

In your readings, focus on how Roy’s language choices contribute to the unfolding of the narrative and explore the various themes of the novel.