A Day in the Death of Joe Egg: Costume design (including hair and make-up)

A Day in the Death of Joe Egg: Costume design (including hair and make-up)

Historical Context

  • The play is set in the 1960s Britain, and the costumes should reflect the typical attire of the era.
  • Bri, as a school teacher, could be realistically dressed in a suit and tie, consistent with his profession.
  • Sheila might be in traditional ’60s clothing like a midi dress or A-line skirt. Her attire should subtly mirror her emotional state, appearing more dishevelled as the play progresses.
  • Freddie and Pam are secondary characters, and their costumes can further underline their personalities - Pam being flamboyant and Freddie appearing business-like.
  • Joe’s costume is critical given her condition. She should be dressed in comfortable, practical garments, indicative of a child with special needs.

Hair and Makeup

  • Hairstyles should follow the fashion trends of the ’60s, and can contribute to reflecting the characters’ personalities.
  • Bri’s look might be traditional - clean-shaven with short, neat hair, whereas Sheila’s hairstyle might embody the playful yet practical styles of ’60s housewives.
  • Pam could have an exaggerated style, with voluminous hair and bold makeup indicative of her extravagant personality.
  • Freddie’s hair could be suitably slick and styled, to reflect his stylish, well-to-do character.
  • Joe, as a character with severe disabilities, would have minimal, if any, attention to hair and makeup.

Symbolism in Costume

  • Costumes can be utilised to symbolise the themes of the play.
  • Bri’s clothing might become increasingly dishevelled as his desperation escalates, reflecting his deteriorating mental state.
  • Sheila’s transition from cheerful colours to more muted tones might indicate her evolving understanding and acceptance of Joe’s condition.
  • Freddie and Pam’s trendy, fashionable clothes would work as a sharp contrast to Bri and Sheila’s more simple attire, showcasing socio-economic differences.
  • Joe’s clothing, being simple and utilitarian, can serve as a powerful visual symbol of her life - ones that lack flair or change.

Costumes and Staging

  • Overall, costumes need to contribute to a visual storytelling, helping to create an engaging stage image.
  • Variation in costumes can play a significant role in differentiating between different day phases or scenes.
  • While selecting the correct ’60s attire for authenticity, it’s important to consider the functionality of these costumes on stage and ensure they serve the storytelling.
  • Subtle changes in costume, such as the loosening of Bri’s tie or Sheila’s hair becoming increasingly unkempt, can be effective in showcasing the passage of time and building tension.