Earthquakes in London: performance conventions

Earthquakes in London: performance conventions

Performance Conventions in ‘Earthquakes in London’

  • ‘Earthquakes in London’ makes extensive use of non-realistic performance techniques, including elements of surrealism, to convey its exploration of society and environmental crisis.

  • The play extensively uses multi-roling, wherein performers play multiple characters. This can emphasise thematic links and contrasts between characters and situations.

  • The use of ensemble work is pivotal in the play, with the cast often working together to create complex sequences, manifesting the sense of tension and chaos.

  • Direct address, where characters talk directly to the audience, is employed frequently, breaking the fourth wall to engage the audience in the narrative.

The Use of Movement and Physical Theatre in ‘Earthquakes in London’

  • The Power of physical theatre and movement is extensively used in ‘Earthquakes in London’, often illustrating the themes in abstract and visceral ways.

  • Characters frequently use symbolic gestures and movement to convey emotional states or to visualise thematic concepts, like the imminence of environmental catastrophe.

  • Choreographed sequences are used to heighten dramatic tension or to signify the passing of time.

Interaction Between Spaces and Performance Conventions

  • The play intentionally blurs the border between performance space and audience. This underlines the play’s themes of involvement and human responsibility.

  • Use of varied setting and different time periods in ‘Earthquakes in London’ demands flexibility of acting and staging conventions, permanently reminding the audience of the breadth and width of the climate crisis.

Impact of Performance Conventions on Audience Perception

  • The bold theatrical techniques used in ‘Earthquakes in London’ contribute to an immersive viewing experience, enabling the audience to engage actively with the unfolding drama.

  • The utilisation of performance conventions such as direct address, multi-roling, and ensemble work also encourage audiences to think critically about the themes presented and their own role in societal and environmental issues.

  • The non-linear narrative technique and rapid scene changes emphasise the urgency and disjointed nature of the crisis, demanding audiences to stay mentally agile and engaged to follow the narrative.