A Day in the Death of Joe Egg: theatrical conventions of the period

Use of Absurdism

“A Day in the Death of Joe Egg” heavily features the theatrical convention of Absurdism.
Known for its non-sequiturs and bizarre humour, Absurdism highlights the irrationality and meaninglessness of human existence.
The couple’s relentless optimism and laughter in the face of their daughter’s debilitating illness can be interpreted as a manifestation of Absurdism.
The use of humour despite the tragic circumstances is a device seen in Absurdist theatre, which serves to deconstruct traditional dramatic conventions.

Metatheatre

The play employs metatheatricality, a device that acknowledges the artificiality of the theatre setting.
Characters often break the fourth wall, thus engaging directly with the audience and reminding them that they are watching a play.
Brian often assumes the role of a narrator and comments on the action of the play, making the audience cognizant of their presence in a theatrical setting.
The use of metatheatrical techniques was often seen in the 60s and 70s in the wake of the Theatre of the Absurd, highlighting the context of when “A Day in the Death of Joe Egg” was written.

Use of Naturalism

Despite the heavy use of Absurdism, the play also employs Naturalism.
The domestic setting, including realistic props and costumes, are representative of the theatrical convention of Naturalism.
Notable is the use of ‘real time’, seen when Brian prepares a meal onstage, making the theatrical world and the real world run parallel.
The dialogue is also heavily naturalistic, mirroring the way people really speak, and showcasing the normality of the characters’ lives, despite the abnormal situation they find themselves in.

Depiction of Women

The play was written in a time when gender roles were significantly shifting, and this is explored in the representation of women.
Sheila’s character defies traditional stereotypes of women by not being a passive figure. She is often seen challenging Brian, showing her strong-willed character.
This departs from theatrical conventions of the period and shows Peter Nichols’ forward-thinking views regarding gender roles.

Consideration of these theatrical conventions offers valuable insights into the context, structure and characters of “A Day in the Death of Joe Egg”, while enabling an appreciation of the innovative elements Nichols employed to provoke thought and create a lasting impact.