Othello: sub-text

Othello: sub-text

Subtext in Othello

Importance of Subtext

  • Subtext plays a critical role in Othello - the unspoken or less obvious meaning or message in the dialogue or actions.

  • Readers and audience members must interpret the subtext to fully understand the complexities and underlying themes of Othello.

Iago’s Manipulation

  • As a master of manipulation, Iago frequently uses the subtext in his speech, often implying rather than directly stating his aims, to control others.

  • His ambiguous statements are loaded with subtext, which befuddle Othello and lead him to make faulty assumptions based on his suspicions.

Racial Subtext

  • Another critical subtext in Othello is the underlying racism and prejudice. Despite being a respected General, Othello is still regarded as an outsider due to his ethnic background.

  • This racial subtext adds a layer of complexity to the drama and serves an essential role in inciting Othello’s self-doubt and insecurity.

Subtext of Jealousy

  • The subtext of jealousy and insecurities is weaved throughout the dialogues and behavior of Othello. The seed of jealousy planted by Iago grows within Othello, ultimately leading to tragedy.

  • Shakespeare subtly hints at the destructive power of jealousy through this subtext, which tragically transforms Othello from a loving husband to a jealous killer.

Double Entendre and Word Play

  • Subtext is created through the use of double entendre and wordplay, a common technique in Shakespearean plays. Characters, particularly Iago, use this to deceive and manipulate others.

  • One of the most significant instances is in Act III Scene III when Iago cleverly uses innuendos regarding Cassio and Desdemona’s relationship, leaving with Othello the devastating impact of these unverified insinuations.

Emphasis on Appearances versus Reality

  • The subtext of appearances versus reality is a major theme in Othello. Characters mask their true intentions, and the consequent misunderstandings lead to tragic events.

  • For instance, Othello’s misinterpretation of Desdemona’s innocence as infidelity is based on deceptive appearances, further highlighting the importance of subtext.