Earthquakes in London: theatrical conventions of the period

Theatrical Conventions of the Period in Earthquakes in London

The play Earthquakes in London displays a strong influence of postmodern performance aesthetics.
Non-linear narrative and fragmented timeline are key characteristics of its performance style.
Uses multi-media integration, combining theatre with music, projections, and dance.
Embraces metatheatricality, the “play within a play” concept, self-awareness about performance, and breaking the fourth wall.
High emphasis on physical theatre through the use of the characters’ bodies to express emotions and narrative content, common in postmodern aesthetics.
Uses Intertextuality, with references to older texts, other performances or popular culture, making the piece meta-commentary on the theatrical tradition.

The postmodern aesthetics adds layers of meaning and creates an immersive experience for the audience.
Multi-media integration provides a rich sensory experience and supports the conveyance of complex themes.
Physical theatre allows for the expression of characters’ emotions and reactions in a more visceral manner.
Intertextuality promotes critical thinking by encouraging the audience to draw connections between the play and its references.

Recognising these conventions helps in understanding the tone, themes, and overall message of the play.
Understanding the postmodern aesthetic informs the audience’s interpretation of the blurry timeline and complex narrative.
The awareness of physical theatre techniques and multi-media integration contributes to a comprehensive appreciation of the performance style.
Knowledge of intertextuality aids in unpacking the layers of meaning and subtleties within the play.