The Long and the Short and the Tall: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)

The Long and the Short and the Tall: Performers’ physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)

Interpreting Physicality of Characters

  • Understanding Character backgrounds - Performers should grasp the characters’ backgrounds and how this can affect their physicality. For example, Private Francis ‘Frankie’ Macleish is an older, more experienced soldier and his age might reflect in the way he moves and reacts to situations.

  • Stature and significance - The character’s height and build can affect their portrayal and perception. Lance Corporal Thomas ‘Tommy’ Macleish, being a corporal, would likely be sturdy and have a towering presence, reflecting his authority.

  • Unique Posture & Gestures - Each character’s uniqueness, such as Private Bamforth’s rebellious behaviour, should be shown through clear and distinct physical traits like unconventional posture or wide-ranging, quick gestures.

Interpreting Facial Expressions

  • Reflecting Inner turmoil - Some characters, like Sergeant ‘Mitch’ Mitchem, carry a lot of inner turmoil, and it should reflect in their facial expressions—a mixture of sternness and weariness.

  • Expressions of Fear - Characters like Private Peter ‘Smudge’ Smith, who are younger and less experienced, would show more fear and uncertainty on their faces, particularly in times of conflict.

  • Bold Expressions - Characters such as Bamforth, who openly challenge the status quo, would likely have bold, confident expressions.

Movement Interpretations

  • Confidence vs. Insecurity - The movement of confident characters like Bamforth should emit an assurance, with fluid, unhurried movements. In contrast, less experienced soldiers like Private Sammy ‘Sam’ Whitaker might move in abrupt, hesitant ways.

  • Expression of Hierarchy - Movement can also communicate military hierarchy. Authoritative figures like Mitchem should move with purpose and authority, conveying command, while lower-ranking soldiers might show more deference in their movements.

  • Successfully Portraying Tensions - Particularly in tense situations, the performer’s body language and movement will be integral to conveying the rising stress between characters, as seen in the climax involving the Japanese prisoner.