The Crucible: relationships between performers and audience

The Crucible: Relationships between Performers and Audience

Elements of Suspense

  • Suspense is a crucial tool that Miller employs to forge a dynamic relationship between performers and the audience. As the play unfolds, the audience is continuously left hanging, igniting their curiosity and anticipation. Performers capture and sustain the audience’s attention by pacing out the revelations and clues to the mysteries in the plot.

Brechtian Distancing Effect

  • Drawing from Brecht’s theories of theatre, the performers in ‘The Crucible’ can use alienation techniques to make the audience critically consider the social and political implications of the play rather than getting lost in emotional identification. The historical setting, direct addresses to the audience or moments of breaking the fourth wall can create this distance.

Use of Dramatic Irony

  • The use of dramatic irony throughout the play, where the audience knows more than the characters, creates a unique relationship between the performers and the audience. This helps the audience to anticipate certain events, leading to a sense of unease and deeper engagement with the narrative and performances.

Character Development and Sympathy

  • Relationships are also formed through the dynamic and complex character development in the play. As the performers bring to life the personal trials and growth of their characters, the audience develops a deep sense of emotional connection. This emotional investment in the characters’ fate further deepens the impact of the play.

Audience’s Moral and Emotional Response

  • Performers in ‘The Crucible’ aim to elicit a strong moral and emotional response from the audience. The play’s intense emotional states and moral dilemmas, skilfully portrayed by performers, provoke the audience’s visceral outcry against injustice and sympathy for the tragic heroes.

These elements help establish a powerful relationship between performers and audience, drawing the latter into the world of the play while simultaneously maintaining a critical distance for reflection. This dynamic interplay enhances audience engagement and deepens their understanding of the play’s themes and realism.