Frankenstein: performance conventions

Performance Style

Frankenstein is typically performed in a Gothic style, which is highlighted by elements of horror, death, and romance. This style can be seen in the selection of set designs, lighting, costumes, and makeup.
The play employs melodrama as well, with exaggerated emotions, sensationalised plot lines, and characters who embody pure good or evil.
The performance may also showcase aspects of physical theatre, especially when dealing with the creature, whose raw emotions and monstrous physique can be portrayed through extreme physical expressions and movements.

Use of Space and Levels

Levels are often used to denote power relations and emotional states. For example, Frankenstein standing over the creature might signal domination, while the creature towering above Frankenstein can represent threat or victory.
Spaces can change dramatically, from the intimate and cluttered laboratory to the endless Arctic. The use of symbolic spaces can mirror characters’ inner feelings and situations.

Characterisation

Varied acting methods may be used in depicting the characters. Victor Frankenstein is often portrayed as a Byronic hero, flawed and tortured, requiring nuanced performance full of angst and despair.
Frankenstein’s creature demands a physically demanding performance as it transitions from a newborn-like innocence to mature eloquence and bitter rage. The use of voice modulation, body language, and facial expression are essential in this transformative portrayal.
Other characters like Elizabeth and Waldman may be depicted in a more traditional performance style, reflecting the societal norms and conventions of the era.

Ensemble Work and Interactions

Relationships between characters play a critical part in the plot. The interactions between Victor and the creature, Victor and Elizabeth, and amongst the supporting characters are key examples.
Exploration of status, power dynamics, and emotional bonds in these relationships forms a significant aspect of the performance.
Ensemble work can also come into play during crowd scenes or scenes involving multiple characters, requiring synchronised movements and reactions.

Use of Music and Sound

Music and sound are essential in creating a gothic atmosphere. The use of chilling soundtracks, dramatic crescendos, and eerie sound effects significantly amplify the play’s emotional impact.
Silence, when used strategically, can be just as powerful, creating tension and suspense, or highlighting transformative moments.

By breaking down these performance conventions, you can sketch a detailed and layered picture of Frankenstein’s drama strategies. This knowledge will assist you in developing a multifaceted critique of the piece.