Black Watch: social context

Historical Context

Black Watch was written by Gregory Burke and premiered in 2006, at the height of the Iraq War.
The Black Watch regiment of the British Army had been merged into the Royal Regiment of Scotland a year before the play’s premiere.
The play takes its title from this regiment, the Black Watch, which has a history dating back to the 18th century.
It reflects on the historic legacy of the regiment, frequently invoking its past in battles such as the Battle of Waterloo and the Somme.

Black Watch addresses the Iraq War, a highly controversial topic for its perceived illegitimacy and the involvement of Western powers, including the UK.
The war and subsequent occupation led to widespread instability and sectarian violence, contributing to the rise of extremist groups.
These events directly inform the play’s narrative, shaping the soldiers’ experiences, their political views, and the play’s overall message.
The conflicts between the soldiers and their superior officer echo widely held criticisms of military and political decision-making during this period.

The play questions the society’s perception and treatment of soldiers, as it presents the harsh realities experienced by men who are often considered heroes.
It highlights the eventual disillusionment experienced by the soldiers, a stark contrast to the media’s depiction of war.
The morality, patriotism and camaraderie of the soldiers is contrasted with society’s indifference and political apathy.
As much as it is a commentary on the war, Black Watch is also an exploration of working-class Scottish identity and masculinity, interspersed with moments of humour, empathy and raw emotion.

Black Watch examines the media’s role in shaping public opinion, questioning the accuracy of media narratives surrounding war.
The play uses various multimedia elements, such as news clips and interviews, to reconstruct the ‘truth’.
It critiques the media’s tendency to sensationalise and dramatise war, foregrounding the ordinary soldiers’ mundane, brutal realities.
Ultimately, the play presents an alternative to the media’s portrayal of war, forcing audiences to confront its harsh realities.