Stockholm: structure

Overview of Stockholm’s Structure

Stockholm is structured on a timeline of 24 hours, beginning on the eve of Kali and Todd’s anniversary and ending the following day. This allows for the compression of time, highlighting the rapid decline of their relationship.
It also uses the concept of repetitive cycle to reflect the nature of their dysfunctional relationship. Scenes of abusive behaviour are followed by remorse and reconciliation, only to repeat the same pattern again.
The play is characterised by its vivid imagery and metaphoric language, enhancing its dramatic effect and drawing attention to the physiological and psychological aspects of the characters.

While largely following a chronological order, the play also incorporates non-chronological elements such as flashbacks and dream sequences to give insights into the characters’ past and subconscious.
Stockholm employs interactions with an imaginary character - the waitress. These moments serve as a break from the main narrative and provide a different perspective on the characters’ relationship.

Dance sequences are vital structural elements in the play. They serve as symbolic representations of the ongoing power dynamics between Kali and Todd.
The play uses physical theatre to mirror the emotional and psychological states of the characters, adding a layer of intensity to the narrative.

The dynamic structure of Stockholm accentuates its themes of power, control, obsession, and emotional violence.
The cyclical pattern of abuse and reconciliation mirrors the complex dynamics of Stockholm syndrome.

The structure, with its tension-building climaxes and dramatic dance sequences, effectively elicits emotional responses from the audience.
It also serves to expose the stark reality of abusive relationships, prompting viewers to reflect on its themes and the nature of toxic relationships.
The structural complexity of the play challenges the viewers, asking them to piece together the fragments of the narrative to perceive the bigger picture.