Frankenstein: style

Style of the Play

Frankenstein is an example of the Gothic horror genre, a style recognised by its use of dark, foreboding settings, mystical elements, and exploration of the macabre and the unknown.
There’s a strong emphasis on atmosphere and horror, highlighted by ominous scenic details, stark lighting, and unnerving sound effects in many stage adaptations.

Along with the gothic horror elements, Frankenstein also shares Romantic qualities seen in Shelley’s other works, emphasising deep emotional responses, the sublime nature, and intake of the natural world.
Frankenstein illustrates Shelley’s intense interest in the scientific innovations of her time and her cautionary outlook towards their extensive use.

The play often makes use of tableaux and stylised movement to offer deeper insight into the characters and their conflicts.
The style uses a mixture of symbolism and expressive realism, wherein realistically embodied characters interact within symbolic settings. For instance, the creature often lurks on a dimly lit outskirts of the stage, symbolising its social and emotional isolation.

The play is an example of a frame narrative, which begins and ends with Captain Walton’s letters. This narrative approach offers various perspectives and allows for complex reflection on themes and character motivations.
The non-linear timeline keeps the audience engaged, revealing critical character motivations and plot details through sudden revelations and flashbacks.

Frankenstein is a visually striking play; its visual style often relies on striking contrasts. For instance, the stark, shadowy scenes where Frankenstein’s creature is brought to life are sharply contrasted with visually rich, brightly lit scenes that depict Geneva society.
The set design often features an array of scientific instruments and the eerie laboratory is an emblematic setting, speaking volumes about Victor Frankenstein’s ambitions and obsessions.