Earthquakes in London: use of performance space

The play “Earthquakes in London” utilises spaces in an abstract, non-realistic manner, blurring the lines between the physical location and psychological landscape.
The looming threat of the environmental apocalypse resonates in the fragmented, shattered interpretation of the space, often characterised by rapidly shifting scenes, unexpected spatial transitions, and abrupt temporal leaps.
The flexible use of space underscores the fluidity of time and place, illustrating the capricious, volatile nature of our world under climate emergency.

The juxtaposition of contrasting spaces - from the sterile urbanity of London city to the natural wilderness - evokes the uneasy relationship between human civilisation and nature, setting the tone for a profound reflection on human culpability in environmental degradation.
The privileged spaces of London city - such as Sarah’s posh house or the nation’s Parliament - and the stark contrast revealed when we shift to the precarious homely spaces of middle-class Laura and Freya, emphasises the disparities fuelled by socio-economic divisions.

The performance area is not just a backdrop for the narrative’s unfolding but plays an active part in non-verbal storytelling. Characters’ movements, positions, proximity, stage exit or entrance, and utilisation of space contribute substantially to the construction of the narrative.
For instance, the encroaching use of space by the future beings ramping up the feeling of tension, invasion, and impending doom.
Characters are often positioned strategically to symbolise their power dynamics, emotional connection, or conflict.

The interactive use of space in “Earthquakes in London” allows for direct engagement with the audience, breaking the fourth wall. Through this, the audience’s space becomes part of the performance space, serving to enhance the sense of urgency and shared responsibility.

Various staging techniques like the use of projections, lighting effects, stage props, and set design are utilised to enhance the interpretation of space in the play.
The manipulation of the set to demonstrate the catastrophic earthquake represents the physical manifestation of abstract threat, creating a strong visual impact and emotional resonance.

Spaces are also employed as a tool for chronological orientation, presenting different timeframes from the 1960s to the far future. This temporal dimension of space contributes to the nonlinear storytelling of the play.

Earthquakes in London: Use of Performance Space