Caucasian Chalk Circle: theatrical conventions of the period

Caucasian Chalk Circle: theatrical conventions of the period

Brechtian Theatre Traditions

Epic Theatre Style

  • Use of Non-Naturalistic Techniques: Brechtian theatre, including ‘The Caucasian Chalk Circle’, utilised a range of non-naturalistic techniques. This included direct address to the audience, use of songs, and the deliberate creation of Verfremdungseffekt or “alienation effect” to prevent emotional identification with characters.

  • Narrator’s Presence: Storytelling serves as a critical aspect of Brecht’s Epic Theatre. ‘The Caucasian Chalk Circle’ employs the crucial role of a narrator, often a character themselves, who helps in creating a sense of distance and reflection.

Influence of Marxism

  • Exposition of Class Struggles: Influenced by Brecht’s affinity for Marxism, his plays, including this one, underscore themes concerning class struggles and socio-economic disparities. It encourages spectators to view society from a class-conscious perspective.

  • Critique of Capitalism: The economic systems in place are another target for critique in Brecht’s works. The hardships faced by the play’s peasant characters, such as Grusha, reflect concerns about wealth distribution and economic injustice inherent within capitalist structures.

Modernist Theatre Characteristics

Integration of Politics and Theatre

  • Social Commentary: Modernist plays, like ‘The Caucasian Chalk Circle’, often contain elements of social critique, questioning the power structures, economic systems, and societal norms of the time. These issues are expressed through both the narrative and the characters themselves.

  • Challenge to Status Quo: Modernist theatre aimed to challenge and subvert the status quo. Brecht’s use of theatre as a vehicle for social change is no exception, posing fundamental questions about societal hierarchy, justice, and morality.

Use of Innovative Theatre Techniques

  • Breaking the Fourth Wall: Modernist theatre embraced the technique of ‘breaking the fourth wall’, seeing characters directly addressing the audience. Brecht’s plays often use this feature to enhance their social commentary and provoke critical thinking.

  • Use of Music and Song: Brecht was known for integrating songs and music into his plays, used to both enhance narrative and as another method of encouraging audience reflection. In ‘The Caucasian Chalk Circle’, songs function to heighten dramatic moments and highlight key themes.