Woza Albert!: Prop design

Prop Design

Minimalist approach - Woza Albert! is known for its minimalist approach to props. This allows more focus to be given to the actors, their movements and their dialogue which are key components of the play.
Versatility of props - The props used are versatile and often represent multiple objects. This is in line with the absurdist theatre where common objects are given new and unexpected meanings.
Use of mime - Instead of using physical props for every object, the actors often use mime. This adds a layer of symbolism to the play that contributes to its critique of the Apartheid regime.
Use of signifiers - When physical props are used, they are more often signifiers rather than the objects they represent. For example, a single bar could signify a jail cell.

The letter - The letter announcing the return of Christ (Morena) is a key prop. It symbolises hope for the oppressed black South Africans.
Passbook - A passbook is used prominently throughout the play symbolising the oppressive apartheid regime and its effects on black South Africans.
Shovel - A simple shovel is used as a prop symbolising both manual labour and death - two critical themes in the play.

The use of props also aid in the process of characterisation. With a mere two actors playing multiple characters, the props help distinguish characters one from another.
Professor’s pipe and hat - When portraying the character of the Professor, a character who is more privileged than others, the actor uses a pipe and hat to establish the character’s identity.
Passbook and shovel - Conversely, when playing the character of the Labourer, the actor uses a passbook and shovel, representing the working class’ struggles under apartheid.

Through this, it’s clear how prop design in Woza Albert! contributes to the overall storytelling, characterisation and symbolism of the play.