Black Watch: use of performance space

Black Watch: use of performance space

Use of Performance Space

  • Black Watch cleverly exploits the performance space to enhance various themes and immerse the audience.
  • The play is often staged in a promenade style, with action happening around and amidst the audience.
  • This format conveys the immediacy and unpredictability of war, underscoring the soldiers’ experiences in Iraq’s volatile environment.

Transitional Spaces

  • The transitional spaces between scenes are significantly utilised to enhance the non-linear story-telling.
  • Swift switches from pub to battleground and vice versa illustrate how the soldiers’ war experiences permeate their civilian lives.
  • These swift scene changes also mirror the disorientation experienced by soldiers during and after their service.

Staging Techniques

  • The production team constructs a visual spectacle using the full range of the stage, with actors moving up, down, and across different levels.
  • This dynamic usage of the stage is particularly effective during combat scenes, creating a chaotic, claustrophobic, and disorienting atmosphere.
  • Powerful tableau moments are created using freeze frames, slow-motion sequences, and choreographed physical movements.

Use of Props

  • Minimalistic yet impactful use of props heavily contributes to the employment of space.
  • Props are both functional and symbolic. For instance, the pub bar stools transform into a military vehicle, effectively demonstrating the interference of war into their civilian lives.
  • By keeping props at a minimum, Black Watch prioritises human interactions and body language, focusing on the emotional narrative.

Audience Space

  • Audience space is invasively used during the performance, which blurs the lines between performers and spectators.
  • This style disrupts the conventional ‘fourth wall’, making the audience complicit in the unfolding narrative.
  • It also enhances the emotional impact on the audience, making them active participants rather than passive observers.