Frankenstein: use of performance space

Utilisation of Stage Space

Adapting Mary Shelley’s Frankenstein for stage comes with unique challenges, particularly in terms of performance space, especially considering the vast geographical locations transitioned between in the novel.
One technique employed to overcome this is through the use of multi-purpose sets that can transform to convey different locations. This adds an element of fluidity, helping scenes to transition smoothly.
For instance, a set designed to look like a scientific lab may gradually shift into a ship trapped in ice, reflecting the story’s shift from Frankenstein’s personal narrative to Walton’s quest.

Set Design

Victor Frankenstein’s laboratory is a key part of the story’s setting. This should represent the era’s scientific fascination and Victor’s obsession, possibly hinted with a mess of prototype designs and scientific tools.
The wilderness, where the Creature escapes to and later confronts his creator, can be depicted minimally through suggestive elements such as low lighting, sounds and wind machines.
Ice and snow, symbolising isolation and death, are frequently evoked in the novel; being essential to make Walton’s arctic expedition more immersive on stage.

Use of Levels and Angles

Levels and angles of performance space can be utilised to comment on characters’ power dynamics. For instance, placing Victor Frankenstein on a higher level suggests his initial superiority over the Creature.
Following the Creature’s enlightenment and Victor’s downfall, these positions may swap, reflecting the change in their dynamics.
Angles can be used to create visual intrigue and to manipulate audience’s perspective. For example, tilting the set could represent Victor’s mental instability.

Blocking and Movement

Blocking or movement of characters on stage symbolises their internal states. Victor Frankenstein’s restlessness can be communicated through constant pacing and erratic movements.
The Creature can initially move with uncertainty and confusion, which could transform into a more assertive physical performance as the play progresses, indicating its acquired autonomy and self-awareness.

Audience Relationship

The handling of the fourth wall plays a critical role in this adaptation. Breaking the fourth wall, especially during the Creature’s monologues, enables a direct dialogue with the audience.
Using different staging formats, such as thrust or arena staging, can also manipulate the audience relationship. These seating arrangements surround the stage, drawing the audience closer to the action and increasing their immersion.

By understanding these elements regarding Frankenstein’s use of performance space, your grasp of the text’s adaptation for a theatrical context will be strengthened, adding another layer to your interpretation and analysis.