The Love of the Nightingale: form
The Love of the Nightingale: form
Form - The Love of the Nightingale
Introduction
- Timberslake Wertenbaker’s “The Love of the Nightingale” utilises explorative, non-naturalistic theatrical form to great effect.
Greek Tragedy Influence
- This play is largely influenced by Greek Tragedy, with Wertenbaker often accepting the conventions of the genre including the use of a Chorus, mythological re-telling, and tragic climax.
Symbolism
- The use of symbolism is heavily featured in the play. For example, the nightingale and the swallow symbolize Procne and Philomele’s tragic transformations, respectively.
Brechtian Alienation Effect
- Wertenbaker employs moments of Brechtian alienation effect by having the characters break the fourth wall to engage directly with the audience. This challenges the audience’s role as passive observers.
Use of Music
- Wertenbaker incorporates music into the play, drawing upon the epic scope of Greek Tragedy. This tool helps to denote changes in time and setting, advances the plot, and underscores the emotional experience of the characters.
Meta-Theatricality
- The meta-theatricality enhances the dramatic tension - the play within a play presented by the Chorus serves to remind the audience of the theatricality of the deadlock.
The Chorus
- The Chorus plays a significant role, as a narrative voice, it helps to drive the plot and also creates reflective space for the audience.
Feminist Drama
- Wertenbaker’s play is a key example of Feminist Drama, focusing on women’s experience and challenging established patriarchal relationships.
Ending Remarks
- Wertenbaker’s use of form creates a layered play that constantly engages and confronts the audience. The audience is guided but also challenged to grapple with essential themes and complex relationships within the story.