The Long and the Short and the Tall: performance conventions

The Long and the Short and the Tall: performance conventions

Performance Conventions of ‘The Long and the Short and the Tall’

Naturalistic Acting

  • ‘The Long and the Short and the Tall’ calls for a style of naturalistic acting where performers aim to create a believable illusion of reality through everyday speech, mannerisms, and physicality.
  • The soldiers’ different regional accents and the use of rank-specific military jargon contribute to the realism of the play, reflecting the diversity of the British Army.
  • The characters’ fluctuating emotional states, influenced by fear, tension, and moral uncertainty, need to be portrayed convincingly through subtle and nuanced performances.

Set and Costume

  • The play is set in a small and cluttered hut in the Malayan jungle during the Second World War. The immersive set design is critical as it contributes to the tension and claustrophobic atmosphere.
  • The realistic setting follows the conventions of naturalism and emphasises the authenticity of the play.
  • Authenticity is also maintained through the use of period-specific costume, with characters typically dressed in British military uniforms, reflecting their ranks, and the prisoner in civilian clothes to create a stark visual contrast.

Lights and Sound

  • The most substantial light and sound cues often coincide with the entry and exit of characters or major plot shifts, emphasising key moments and the passing of time.
  • The use of off-stage noises such as those of jungle animals or gunfire can create an external sense of danger and urgency.
  • Dim lighting can be used to stress the isolation of the hut and the uncertainty of the situation, helping to establish a foreboding and tense atmosphere.

Props

  • Props in this play have a significant impact on driving the narrative. The radio serves as a significant plot device and symbolises both hope and despair.
  • The weapons carried by the soldiers, such as guns and knives, are not only realistic elements but also serve to escalate the feeling of impending danger.
  • Personal possessions, like letters and photographs, provide insight into the soldiers’ lives outside of the war, humanising them and adding depth to their characterisation.