The Long and the Short and the Tall: performance conventions
The Long and the Short and the Tall: performance conventions
Performance Conventions of ‘The Long and the Short and the Tall’
Naturalistic Acting
- ‘The Long and the Short and the Tall’ calls for a style of naturalistic acting where performers aim to create a believable illusion of reality through everyday speech, mannerisms, and physicality.
- The soldiers’ different regional accents and the use of rank-specific military jargon contribute to the realism of the play, reflecting the diversity of the British Army.
- The characters’ fluctuating emotional states, influenced by fear, tension, and moral uncertainty, need to be portrayed convincingly through subtle and nuanced performances.
Set and Costume
- The play is set in a small and cluttered hut in the Malayan jungle during the Second World War. The immersive set design is critical as it contributes to the tension and claustrophobic atmosphere.
- The realistic setting follows the conventions of naturalism and emphasises the authenticity of the play.
- Authenticity is also maintained through the use of period-specific costume, with characters typically dressed in British military uniforms, reflecting their ranks, and the prisoner in civilian clothes to create a stark visual contrast.
Lights and Sound
- The most substantial light and sound cues often coincide with the entry and exit of characters or major plot shifts, emphasising key moments and the passing of time.
- The use of off-stage noises such as those of jungle animals or gunfire can create an external sense of danger and urgency.
- Dim lighting can be used to stress the isolation of the hut and the uncertainty of the situation, helping to establish a foreboding and tense atmosphere.
Props
- Props in this play have a significant impact on driving the narrative. The radio serves as a significant plot device and symbolises both hope and despair.
- The weapons carried by the soldiers, such as guns and knives, are not only realistic elements but also serve to escalate the feeling of impending danger.
- Personal possessions, like letters and photographs, provide insight into the soldiers’ lives outside of the war, humanising them and adding depth to their characterisation.