Earthquakes in London: form

Form of Earthquakes in London

Earthquakes in London is an example of Epic Theatre, which was made famous by Bertolt Brecht.
The play features a number of abstract and surreal elements, breaking from traditional form for a more creative exploration of the themes.
The frequent use of direct address and breaking the fourth wall reinforces the Epic Theatre form, and keeps the audience aware they are witnessing a performance.
The combination of multiple different styles—the techniques of metatheatre, social realism, and dark comedy—are successfully incorporated into the play.

Mike Bartlett’s choice of Epic Theatre allows for the political and social commentary within the narrative to be put at the forefront.
The surreal elements and the fluid shifting from one style to another serves to challenge the audience’s perception and expectations.
The direct address to the audience facilitates a more direct engagement with the themes and encourages critical reflection.

Actors are likely to employ a variety of performance styles to match the varying styles present in the play.
The use of direct address will require performers to often break character, which can impact the way they build and maintain their performance.
The form of the play allows for creative staging solutions, such as abstract or symbolic set pieces and non-traditional use of theatrical space.

Acknowledging the various forms incorporated into the play can provide a richer understanding of the diverse narrative threads and how they come together.
Recognising the influences of Epic Theatre can give a deeper comprehension of the political and social commentary in the play.
Comprehension of the form can shed light on the multiple interpretations possible for each scene or character, encouraging a more active engagement with the play’s content.