The Crucible: Prop design

Prop Design

The design of props in Arthur Miller’s play- ‘The Crucible’ is integral to building a sense of authenticity and helps in adhering to the historical context of the 1690s.

Authenticity

Props must reflect the culturally puritan and simplicity of the period, using minimal color and basic, utilitarian design.
Items such as clothing, furniture, and kitchenware should be of the type commonly found in seventeenth-century New England. Authenticity of props helps in realising the austere world of Puritan society.

Symbolism

Specific props also act as symbols throughout the play, enhancing the narrative and thematic richness of the story. Props including poppets, needles, and books play critical roles.
The poppet that Mary Warren gives to Elizabeth, for example, becomes a symbol of perceived sorcery and manipulation.
The needle found within the poppet becomes a symbol of the harms believed to be perpetrated by those accused of witchcraft.
The books of the courtroom convey authority and power but also underline the theme of blind adherence to doctrine.

Characterisation

Certain props also aid in the process of characterisation. The leather whip utilised by Reverend Parris to punish the girls in Act 1 is a harsh reminder of his intense desire for control and discipline.
Similarly, the walking stick utilised by Giles Corey reflects his age and social status in the community.

Dramatic Tension and Suspense

Some props are used to create suspense and drama. The warrants for arrest, for instance, are physical manifestations of the mounting fear and hysteria.
Props can also be utilised to enhance the dramatic delivery of dialogues; for instance, John Proctor tearing up the confession at the climax of the plot, adds a striking visual emphasis to his choice to maintain his integrity.

Understanding the specific roles and significance of props in ‘The Crucible’ can provide further insights into the themes, narrative, characters and dramatic tension that Arthur Miller portrayed in his play.