The Visit: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)

The Visit: Performers’ vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)

Alfred Ill’s Vocal Interpretation

  • Alfred Ill’s voice is a strategic tool reflecting his journey, initially projecting confidence and superiority which later transitions into a symbol of his desperation and defeat.

  • His volume and pitch could subtly drop as the play progresses, signifying his diminishing status and increase in fear.

  • Illustrate emotional range through his fluctuating voice, from hearty laughter when he feels secure, to choked whispers backed by palpable terror when realisation dawns on him.

Claire Zachanassian’s Vocal Interpretation

  • Claire’s accent can be more polished and cosmopolitan compared to the others, hinting at her worldly experiences and sophisticated mindset. This contrast establishes her as an outsider, and her superior status.

  • Her volume, however, should remain constant, reflecting unwavering dominance and calm control. The consistent volume and slow pace add to her mysterious, unnerving nature.

  • Her vocal performance should exhibit a narrow emotional range, remaining mostly detached and indifferent to keep her intentions opaque.

Townsfolk’s Vocal Interpretation

  • Townsfolk’s accents should be consistent, suggesting a shared societal background and cultural homogeneity.

  • Their volume, pitch, and pace might change considerably throughout the play. Initially, they are defensive and morally strict but later grow eager, greedy, and hasty, indicating their submission to Claire’s plan.

  • Delivery of lines is key here, shifting from righteous indignation to careful avoidance of the subject of Ill’s impending fate.

Timing and Intonation

  • Precise timing and intonation can be decisive in amplifying the dramatic tension and subtextual significance, such as pausing before accepting Claire’s proposal or not responding immediately to Ill’s pleas.

  • Overlapping conversations and interruptions, particularly by Ill, can suggest the turmoil and anxiety brewing beneath the surface.

Phrasing and Emotional Range

  • The way lines are phrased or emphasised can convey the moral ambiguity, underlying greed, and fear permeating the town. Any semblance of unity or nobility should crack under the strain of their guilt.

  • Performers should exhibit a wide emotional range, moving from initial shock and indignation towards suppressed excitement, fear, and guilt as they agree implicitly to murder Ill.