Woza Albert!: style

Style of Woza Albert!

Theatrical Style

The style of Woza Albert! incorporates elements of physical theatre, absurdist theatre, protest theatre, and satire.
Physical theatre: This is seen through the play’s reliance on the physical performance of the actors to communicate the story and characters’ emotions.
Absurdist theatre: The play utilises non-logical and non-linear plot progression, embodying the disillusionment and confusion created by the Apartheid regime.
Protest theatre: The play directly confronts and criticises societal realities, utilising theatre as a platform to resist and protest against socio-political oppression.
Satire: Woza Albert! uses exaggerated and ironic depictions of reality to highlight the absurdity and brutal nature of Apartheid.

Use of Characterisation and Roleplay

Positioning the same actors in multiple roles effectively demonstrates the pervasive nature of Apartheid across different societal roles and classes.
Characters are not only mere individuals but also symbolic representations of South African society under Apartheid.
Role-switching is an essential component of the play, with physicality and vocal changes used to differentiate characters.

Language and Communication

The play illuminates the oppressive nature of Apartheid by using explicit, unambiguous language to communicate the harsh realities of the political system.
The script uses a combination of English, Afrikaans and Zulu, showcasing the cultural diversity of South Africa.
The use of South African slang and colloquialisms enhances the authenticity of the narrative, providing it a strong cultural grounding.

Use of Symbolism

Symbolism plays a significant role in Woza Albert!, with objects, characters, and events carrying metaphorical meanings.
For instance, Morena’s return signifies hope and liberation for the oppressed majority.
Everyday objects, such as the passbooks and rubber tyres, are used to represent the oppression and dehumanization under Apartheid.

In essence, the style of Woza Albert! serves to encapsulate the brutal reality of life under Apartheid while also offering a beacon of hope for liberation and change.