A Streetcar Named Desire: Context: Marriage
A Streetcar Named Desire: Context: Marriage
Contextual Understanding: Marriage
- 1940s was a time period where traditional gender roles were scrutinised in America, and the play ‘A Streetcar Named Desire’ follows suit.
- Stanley represents a masculine ideal, embodying physical strength, provision for family and dominance over women.
- Stella represents the submissive female, who suffers yet stays rooted in her marriage due to dependence and, possibly, societal conditioning.
- Marriage is portrayed as an institution riddled with power struggles with Stanley exercising dominance both physically and emotionally.
Characters and Relationships
- Stanley Kowalski: Stanley’s physically abusive nature and overt sexual desire demonstrates the flawed masculine ideal of the era, where wives were expected to be submissive.
- Stella Kowalski: Stella’s acceptance of her abusive marriage and her justifications for Stanley’s actions portray societal pressures and expectations of a married woman.
- Blanche DuBois: Blanche’s failed marriage traumatises her, leading to her ongoing pursuit of security and stability that, in part, triggers her final tragic downfall.
Themes in Connection to Marriage
- Gender Roles: The play scrutinises traditional gender roles within marriage, represented through Stanley’s dominance and Stella’s submissiveness.
- Abuse in Marriage: Stanley’s behaviour towards Stella demonstrates physical, mental, and sexual abuse, raising questions on the toxic masculinity of the era.
- Marital Expectations vs. Reality: Stella’s acceptance of abuse contrasts sharply with Blanche’s dreams of romance, bringing into focus the harsh realities of marriage against its idealistic depiction.
Relevant Quotes
- Stanley’s assertive order: “There’s plenty to be made on the races” implies dominance over his wife’s choices.
- Stella responds to Blanche’s shock over Stanley’s violent behaviour: “I’m not in anything that I want to get out of”. This upholds the deeply ingrained societal mould of women suffering in silence.
- Blanche’s lamenting: “Sometimes — there’s God — so quickly!” epitomises her idealistic outlook on love and relationships, contrasting sharply with the reality of her sister’s marriage.
Literary Devices
- Use of Symbolism: The poker game represents the power dynamics in Stanley and Stella’s marriage, with Stanley ‘winning’ over his wife.
- Juxtaposition: The stark contrast between the idealistic love Blanche craves and the harsh reality Stella lives with deals a severe critique of marriage.
- Extensive use of Irony: Stella remains in her abusive marriage wishing for peace, whilst Blanche, in her quest for security, ends up institutionalised.