Character: The Highland Folk
Character: The Highland Folk
Characterisation and Role:
- The Highland Folk are depicted within the play as a collective character, rather than individual personalities. They symbolise the ordinary people who suffer under the impact of industrialisation, emigration, and capitalism.
- They are portrayed as being at the mercy of powerful external forces – landowners, industrialists, and oil tycoons – with very little power to resist.
- Their plight is broad and various, covering diverse groups such as farmers, crofters, fisherwomen, miners and oil workers.
Symbolism and Significance:
- The Highland Folk represent the exploited labour class. They are the factory in the “machine” of capitalism; the cogs and gears that drive the wealth and prosperity enjoyed by the elites.
- They are also a symbol of Scottish culture and heritage, their traditional lifestyles threatened by modernisation and industrialisation.
- Despite their hardships, the folk have a spirit of resilience and determination which is a key aspect of their portrayal.
Social and Historical Context:
- This characterisation of the Highland Folk provides a critique of social and economic conditions in Scotland during a critical period of historic change.
- The stories of the folk reflect an exploitation that isn’t confined to just Scotland but is applicable universally, connecting the play with a wider global context.
- The Folk’s narrative is rooted in actual historic events and personal accounts that serve to make their struggle feel authentic and relatable.
Representation of Power and Resistance:
- The various hardships faced by the Highland Folk highlight the exploitation by those in positions of power, underlining the imbalance of control.
- However, despite the abuses suffered, the folk often exhibit a sense of community and solidarity. This highlights their resistance and strength in the face of adversity.
Their Role in the Narrative:
- Their stories and experiences provide the backbone of the narrative, driving the story forward.
- They are instrumental in linking the three acts of the play - the Cheviot, the Stag, and the Black, Black Oil - consistently subjected to changing forms of exploitation throughout history.